
“Ringmaster: Judy Onofrio,” Artist talk. Friday, May 9, 6 p.m., rm. L140
Free admission
Before the gala begins, Judy Onofrio will speak about her dramatic sculptures, which create a fantasy world of transformative and exciting stories. The wonder and spectacle of the circus have fed her imagination since childhood, and the arts of circus promotion have inspired her artwork. Onofrio will discuss these sources as well as many of the sculptures in the exhibition.
Ringmaster: Judy Onofrio and the Art of the Circus. Judy Onofrio’s life-sized sculptures of extraordinary performers, animals, and circus acts will be exhibited alongside examples of banners, posters, and carvings—drawn from the Circus World Museum collection—that have inspired her work. Onofrio’s glittering constructions are carved, molded, painted, and assembled from wood, fiberglass, beads, ceramic shards, and collected objects. With Onofrio as ringmaster, these materials take form as contortionists, acrobats, and magicians of yesteryear who once again twist, soar, and cast spells for audiences. In addition, a documentary of the 1920s and 30s Ringling Bros. and Barnum & Bailey Circus and a filmed interview with artist Judy Onofrio will be available in the Ringmaster exhibition.
Harry A. Atwell, Circus Photographer. Forty-two black-and-white photographs by Harry A. Atwell (1879–1957) survey his significant career photographing the golden age of America’s tented shows. Atwell, a prominent Chicago publicity photographer, was hired for his first circus assignment around 1910 to travel with the Ringling Bros. Circus. Over the next forty years he amassed more than 5,000 negatives, now in the collection of Circus World Museum in Baraboo, Wisconsin. Atwell’s images of roustabouts, Big Top crowds, sideshow performers, and center-ring stars capture “Circus Day,” when shops, schools, and factories shut their doors so that all could enjoy the fleeting pageantry of the traveling shows.
Lecture by Jill H. Casid, associate professor of art history and director of the Visual Culture Center, UW–Madison
Professor Casid will discuss Harry Atwell’s work, other photographers’ obsessions with circus subjects, and performance (as opposed to documentation) as part of photographic practice from its nineteenth-century origins through the present. Chazen Museum of Art
The UW Arts Faculty raised funds that established a dedicated Fund at Haystack which provides one scholarship for a UW student to attend a two week workshop at Haystack School each summer.
Typical courses include ceramics, wood, glass, fibers, metal, drawing, paper, printmaking, artist's books and mixed media.
The Scholarship pays for tuition, room and board for a 2-week workshop. You are responsible only for getting yourself there and back.
In order to apply for the Haystack scholarship you will need to submit the following to Teri Van Genderen in an envelope marked Haystack:
1) 8 JPEGs of your work on a CD/DVD (labeled with your name, medium used, dimensions.)
2) A separate image information sheet with the same information
3) First and second choice of workshop
4) A cover letter that explains your choices of workshop and why the workshops fit your specific creative directions
5) Resume
The deadline for the materials is Monday March 10th 4pm to the Art Office Front Desk.
http://www.haystack-mtn.org/
PS: This is the only scholarship that is specifically for UW Students however, you can also apply directly to Haystack for work/study scholarships. They offer quite a few scholarships every summer.
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The Hotel Donaldson dedicates one of their rooms to a student in a MFA program to show their work for a year along with a $1000 scholarship. If you have images of your work that we can review, please send them to:
The Hotel Donaldson
c/o Alison
1o1 Broadway
Fargo, ND 48104
Dear Tom
I have recently been reviewing our website www.saatchi-gallery.co.uk and it caught my attention that very few students from University of Wisconsin - Madison have joined our online student art community STUART http://www.saatchi-gallery.co.uk/stuart/
As we continue to develop new and exciting opportunities for the artists on the site we are also hoping to ensure that students of the highest calibre are fully aware of the site and the resources it has to offer them.
We hope it provides a suitable platform for students to present their portfolio to a global audience, gathering ideas and inspiration through discussion with their peers and through the presentation of over 40,000 professional artists’ portfolios that are currently featured on the site.
I wish to highlight to yourself and your colleagues three of the more interesting sections of the site which may prove particularly useful, this includes the essays section, the crits section and the Magazine which features up to date news about exhibitions from around the world.
We recently had our first major STUART exhibition in the UK featuring the winners of our 4 New Sensations competition set up for graduating artists in conjunction with the broadcaster Channel 4. From the 20 finalists 2 Graduates’ work was acquired by the Zabludowicz Collection and many of the other students sold work to private collectors and were invited to participate in Solo and group exhibitions at professional galleries including the Alexia Goethe Gallery, Primo Alonso gallery and the Royal Scottish Academy.
We also took a selection of Saatchi Online and STUART artists to the Zoo Art fair in London providing the opportunity for the artists to sell their work commission free at this prestigious event which runs alongside the Frieze art Fair. Our aim for the next year is to continue to give our student artists similar opportunities internationally.
I wanted to double check that you received information about the site previously and ask whether you had any feedback about the site from colleagues or your students about ways to improve the site to make it a more effective learning tool. I look forward to hearing your thoughts on the project
Kind regards, Phoebe
Saatchi Gallery London
PhoebeBeloe@saatchigallery.com
The exhibit opens February 16th-August 17th
http://calendar.walkerart.org/canopy.wac?id=4048
Here is a link to his video short that will be featured during the exhibition.
http://www.youtube.com/watch?v=vh18EKGBop8
Heather White Schedule-Sign up for your appointment on the door
Wednesday 4 pm-8 pm
Thursday 10 am-4 pm
Dennis Peterson by appointment only email dpeterson@gmail.com
Mondays 9 am-1 pm
Using photos of oft-snapped subjects (like Notre Dame) scraped from around the Web, Photosynth (based on Seadragon technology) creates breathtaking multidimensional spaces with zoom and navigation features that outstrip all expectation.
http://www.ted.com/index.php/talks/view/id/129
This post is to be used by undergraduate students for reviews of exhibitions and lectures.
This post is to be used by graduate students for reviews of exhibitions.
http://www.artic.edu/aic/exhibitions/future.php
Since the beginning of Ed Ruscha's career in the late 1950s, photography has been both an inspiration and a source of discovery for this seminal Pop and conceptual artist. This exhibition, on loan from the Whitney Museum of American Art, presents his signature photographic books as well as approximately 115 original photographic prints, many of which have never before been seen or published. Displayed alongside the Art Institute of Chicago’s collection of Ruscha paintings, drawings, and prints, Ed Ruscha and Photography will create a powerful dialogue across mediums about the motifs and stylistic treatments that the artist first explored through photography.
Gilbert Proesch and George Passmore, two sculptors who met in college, have been creating work for the last forty years that, according to TimeOut London, "tap into public opinion at just the right time." Confronting the punk anger and racial tensions of the '70s to consumer capitalism in the '80s to the terrorism fears of today, the artists' brightly colored photomontages, though comprised of images gathered within walking distance of the artists' home on London's East Side, are raw examinations of human experience. 
If you have problems with Robert Mapplethorpes images do not go here.
http://images.google.com/imgres?imgurl=http://www.unlv.edu/faculty/pkane/ART242X/beauty/Lou.jpg&imgrefurl=http://www.unlv.edu/faculty/pkane/ART242X/beauty/son.html&h=217&w=214&sz=48&tbnid=cMvaEftX17qFNM:&tbnh=107&tbnw=106&prev=/images%3Fq%3Drobert%2Bmapplethorpe%26um%3D1&start=1&sa=X&oi=images&ct=image&cd=1
These are free computer training classes offered to registered UW-Madison students through Doit and the CIMC. Take advantage of these while you are here and build up your resume.http://www.doit.wisc.edu/training/student/ http://cimc.education.wisc.edu/help_instruction/workshops/index.html
Photography Exchange including New Jersey City University, Rochester Institute of Technology, University at Buffalo, Unversity of Wisconsin-Madison, and Western Michigan University. Please join in on the web based dialogue and make comments on each others work.http://photographyexchange.wordpress.com/
By Yuki Noguchi
Washington Post Staff Writer
Friday, July 8, 2005; Page A16
http://www.washingtonpost.com/wp-dyn/content/article/2005/07/07/AR2005070701522.html
The right to photographing on the street unheld in courts.
http://www.nytimes.com/2006/03/19/arts/design/19phot.html?_r=1&oref=slogin
Create a postage stamp you can use with your own photograph on it. http://photo.stamps.com/PhotoStamps/?_requestid=360386
This reading is for the advanced class, due November 7.Download the_work_of_art_in_the_age_of_mechanical_reproduction.doc
"Don't look Back" by John HaberDownload habers_art_reviews_diane_arbus.htm
If you have a website you have built post it here.
Are you currently in a show? Let us know where it is at. Post the date and place in the comments, along with a website if there is one.
If you come across an artists website you like and want to share with the others please post it here.
When ever you come across an exhibition opportunity please post. Everyone must contribute to this list.
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